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For example, refer to the way the “Music’s got me feeling so free” bridge of “One More Time” is layered over the “Aerodynamic” guitar solo, or the way the “Something’s in the air!” loop from “Superheroes” is eventually joined by the unforgettable riff that opens “Human After All.” These mashups are all the better because they mix songs from different albums, uniting the Daft Punk of the past with the Daft Punk of the present (at the time of the tour). However, the most fascinating moments on the album occur when the worlds of different Daft Punk songs collide in a way that’s surprising, but makes total sense. They never chop up tracks to the extent that they’re unrecognizable large, relatively unaltered segments of major successes like “Around the World” and “One More Time” can be heard. Undoubtedly, one of the most fun parts of listening to Alive 2007 is seeing how Daft Punk combines their most iconic songs to make electrifying new creations. Human After All also aged well, boasting some of Daft Punk’s most memorable songs, such as the title track and “Technologic.” Drawing upon all three of these records, the Alive 2007 album gives you the thrill of hearing a Daft Punk show without requiring you to leave your room. While Homework’s “Around the World” was a major hit, Homework as a whole never quite reached the heights of Discovery, Daft Punk’s sophomore album-an album that would later be named one of Rolling Stone’s “30 Greatest EDM Albums of All Time” and Pitchfork’s “Top 200 Albums of the 2000s” an album so fantastical that it even got its own anime film. Alive 2007 was different, though, because it mixed selections from Homework with material from Discovery and Human After All. A decade earlier, the robots had played songs from their debut Homework on their “Daftendirektour,” which resulted in the live album Alive 1997. It brought fans closer to Daft Punk than they’d ever been before while still maintaining the air of mystery surrounding them-if not enhancing it.Īlive 2007 was not Daft Punk’s first adventure on the road.
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That’s why, ten years ago, the Alive 2007 tour was such a big deal. From the very beginning, the duo has been hesitant to speak publicly or give interviews, reinforcing the illusion that Daft Punk is truly from another reality. Yet first and foremost, the world knows Daft Punk as robots-precisely, according to lore, two musically gifted men who were turned into robots in a studio accident. Sure, a quick Google search will yield you the names of the people behind the spectacle: French DJs Guy-Manuel de Homem-Christo and Thomas Bangalter. Clad in shiny helmets, suits, and gloves, they seem like they’d be more at home in a sci-fi film than at an awards show.
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There’s always been a certain mythic allure surrounding Daft Punk.